Rukhsana Ahmad speaks with John Siddique about her peripatetic childhood in Pakistan, how her concern for other people motivates her to keep writing across years and genres, and how she’s avoided the constraints of the ‘post-colonial’.

Dipo Agboluaje explains how migrating from London to his family’s homeland of Nigeria as a young boy shaped his interest in playwriting, with inspiration along the way from diverse mythologies.

Penny Hancock wonders when it's legitimate, if your professional occupation leaves you free to manage your own time and involves an activity other people do simply for pleasure, to say that writing is your career?

Meaghan Delahunt speaks with Cherise Saywell about revolutionary beginnings, the physical nature of her writing and drafting process, being a 'citizen of nowhere' and the pressure on Australian writers to conform to Colonial perceptions of their country.