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Meaghan Delahunt speaks with Cherise Saywell about revolutionary beginnings, the physical nature of her writing and drafting process, being a 'citizen of nowhere' and the pressure on Australian writers to conform to Colonial perceptions of their country.

‘I wrote more to occupy my time and because writing was an activity suited to my hyperactive imagination and love of language, than to learn about Japan.’

Catherine O'Flynn is surprised by the dearth of literature about car boot sales, the ideal place to take your internal apocalpysometer for a spin.

Stuart Walton recalls the Pleasureland Fairground, home of ‘The Rides’, an experience that grew with him and his sister throughout their youth.

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