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Helena Drysdale explains how a family connection and a difficult recovery from cancer led her to Greece and to considerations of imperialism in travel writing.

Nicola Baldwin notices the absence of playwrights taking up Artistic Director roles in theatres, and explores the potential advantages of a “roll-your-own” theatre company.

Julia Copus explores the way that poetry, through its control of language, can influence the perception of time.

Basir Kazmi considers the ‘stage of the mind’, and whether the real measure of a playwright is the script as written word.

Shelley Harris speaks with Bethan Roberts about prose perfectionism and embracing the ‘dirty first draft’, the fear of ‘using up’ all your talent, other disabling myths about writerhood and the writer’s ideal superpower.

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