Sarah Salway shares what she calls a ‘realistic’ rather than glamorous writing week, full of teaching, mentoring, fending off Facebook, a weekend busman’s holiday and — most importantly — some highly enjoyable writing.

Sarah Salway shares what she calls a ‘realistic’ rather than glamorous writing week, full of teaching, mentoring, fending off Facebook, a weekend busman’s holiday and — most importantly — some highly enjoyable writing.
Paula Byrne speaks with James McConnachie about the tragic fates of two lesser-known Kennedy siblings, doing meticulous scholarly research and yet publishing accessible books, moving into writing fiction, and investigating the psychological health benefits of reading with ReLit.
Cynan Jones speaks with James McConnachie about writing as a kind of imaginative remembering, the act of taking a novel from ninety to thirty thousand words in a single cut, and why it’s good to have more abandoned books in drawers than published ones on the shelf.
Mary Colson speaks with John Siddique about the value of children’s non-fiction and the unusual constraints involved in writing it commercially, her love of writing for screen and stage, and the right way to teach writing and nurture children’s voices.