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Kathleen Jones tells Frances Byrnes about the mythic relationships between people and their landscapes in her writing — be it a disturbing poem set in her now-abandoned childhood Cumbrian fell home, or fierce non-fiction about the Haida Gwaii islands.

Harriet Castor speaks with Julia Copus about engaging young readers with history, and why she wanted to climb inside the head of Henry VIII.

Jane Feaver examines the nostalgic impulse and its relationship with the pastoral, and celebrates their combined generative power in the act of writing.

Katharine McMahon considers the role that location plays in historical fiction, and at what point a writer should go and explore it.

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