Andrew Martin – Writer’s Block
Plot theorists say you must send your characters ‘into the woods’, but if you have vivid characters they will go…
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Plot theorists say you must send your characters ‘into the woods’, but if you have vivid characters they will go…
Tina Pepler speaks with Jane Draycott about fictionalising trauma, the limits of the internet and cross-cultural mentoring. Tina Pepler speaks…
Think of yourself as a baby dropped in a swimming pool. You won’t drown, and… may even find you’re enjoying…
After years of dreaming, grappling with a story I never really imagined would be read by anyone but me, there…
Miranda Miller on dealing with political ideas in fiction. Miranda Miller considers some examples of the ‘political novel’, and reflects…
Mine feels like an ant hill in my brain. I tend to get it after finishing a book, when my…
Rob Chapman on a letter’s reply, and a rendezvous with destiny.
I came up with the idea of the Writing Hour. One hour in every day, to write. No more clearing…
Susan Fletcher speaks with Caroline Sanderson about choosing her settings, writing outdoors and her love of nature. Susan Fletcher speaks…
All tied together in plots that took Wodehouse up to two years to develop, but only three months to write……
My light This has happened to me so many times now that I am of the firm belief that writer’s…
There is a silver cloud in everything, even disability, as I can now reserve eighteen books at time instead of…