The Genre Swap, part 1
Emma Darwin advises Annie Caulfield about how to write a novel. Emma Darwin is a novelist experimenting with radio plays.…
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Emma Darwin advises Annie Caulfield about how to write a novel. Emma Darwin is a novelist experimenting with radio plays.…
Timothy Leary considered Herman Hesse to be the ‘master guide’ to the hallucinatory experience; at 19, Paul Sayer, obsessed with…
The most vivid impression I carry with me from the privileged two years I spent as a Royal Literary Fund…
Jo Shapcott speaks with Julia Copus about the importance of sound in her poetry. Jo Shapcott speaks with Julia Copus…
Literary festivals are sprouting all over the UK, from Dartington to Althorp. But do visitors roll up for the literature,…
The loneliness has its roots in the fact that we carry our creative projects around in our craniums; the plot,…
It took a long time and a lot of journalism before I had the confidence to write a book. I…
Perhaps it’s because, like a lot of lonely children, I took refuge from the frustrations and terrors of real life…
Annie Caulfield explains the significance of ‘The Nickel’, and Ruth Thomas reflects on ‘Lime Soda Afternoons’. Annie Caulfield explains the…
Writing for emotional survival is familiar; writing for physical survival less so. Yet the physical act of writing raised Sara…
On one hand I’m an adventurer, daring, thirsty for life, keen to try everything; on the other I’m a good…
They say that champions can always ‘raise their game’ to win. But I always managed to lower my game to…