Varifocal
Dilys Rose considers how a change of narrative voice can affect the focus of a narrative. Narrative voice, whether first,…
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Dilys Rose considers how a change of narrative voice can affect the focus of a narrative. Narrative voice, whether first,…
Donny O’Rourke on how the singer-songwriters of the 1970s helped to shape his poetic consciousness. Listening as a schoolboy to…
John Pilkington on why the great diarist Samuel Pepys inspires him. As a writer of historical fiction, John Pilkington has…
Deborah Gearing on working with visual artists. As the only writer in a group of visual artists taking part in…
Millie Murray on the legendary singer-songwriter who made her a writer. Listening to the music of Bob Marley as a…
Penny Hancock on the need for writers to identify with place. Her mother’s worsening dementia made Penny Hancock realise how…
Rhiannon Tise on why she is obsessed with abandoned buildings. Rhiannon Tise’s fascination with abandoned buildings and derelict man-made spaces…
Miranda Miller on a childhood experience that profoundly affected her. Miranda Miller describes how a troubling encounter in childhood has…
Alicia Foster on the perennial appeal of the attic room for artist and writers. Researching her study of the artist…
Katharine Grant wonders where her ideas come from. An author’s ideas are essential to the writing process, but how and…
Horatio Clare reflects on the nature of the creative impulse. Are writers mad — or only very sane? Horatio Clare…
Jonny Wright on the pleasures and occasional problems of collaborative writing. As a scriptwriter, Jonny Wright has grown used to…