Lydia Syson – The Writer And Technology
We sat speechless in the echoing hall, each with our Princess Matic portable manual typewriter, a huge, orange plastic binder…
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We sat speechless in the echoing hall, each with our Princess Matic portable manual typewriter, a huge, orange plastic binder…
When I adapt a novel into an audio drama, I like to honour what the author has written. It’s a…
Anna Wilson speaks with Julia Copus about her significant ‘Three Little Things’. Anna Wilson and our host Julia Copus speak…
I’m secretly disappointed if the deadline is far off. If I sign a contract to deliver a book in two…
I was inspired to adapt a novel for radio because of a well-known cookery programme; a chef happened to be…
I make toast. I remember I finished a jar of marmalade yesterday and have forgotten to get more I come…
I represented Queen Mary University on University Challenge. It’s not every day you get to team up with the lead…
Helen Kelly on how to research a novel when you can’t travel. Helen Kelly on how to research a novel…
The writer needs mechanisms to maintain enthusiasm and minimise worry so that he can take full advantage of moments that…
I’ve used my nightie in workshops with serious-minded business people, in schools with cynical sixth-formers, in warehouses with fork-lift truck…
Andy Jackson speaks with John Greening about poetry design classics, the joy of anthologies and collective ‘daft ideas’. Andy Jackson…
At 8.5 pence per loan, sometimes the annual sum from the public lending rights can be more than writers receive…