Clare Pollard – The Festival Experience
My first year at Latitude it was baking with sunshine and I ended up having a drink under a tree…
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My first year at Latitude it was baking with sunshine and I ended up having a drink under a tree…
I do think critics are absurd about crime and sci-fi. They tend to get discombobulated by it, and over-praise genre…
Rhiannon Tise speaks with Ann Morgan about creative collaboration and adapting the classics for radio. Rhiannon Tise speaks with Ann…
It could be argued that this human drive for narrative has constituents similar to appetite and, say, sleep. It could…
I like to keep a meticulous, joylessly Presbyterian record of my daily toil, and I’ve had to accept that, for…
I may have a science degree but I’m not a scientist. Equally, I know far too much science to be…
Penny Hancock describes how losing her sense of smell had an unexpected impact on her writing. Penny Hancock describes how…
I had to pinch myself to believe I was really speaking to audiences in the Emirates, where the new Vice…
In ‘My Genre’s Status’, RLF writers speak about the limitations of genre and their struggle against being pigeonholed. In the…
Quite often I’ve dropped the project altogether and gone onto something else, in a different medium. Turning my back on…
I’d love to rewrite Barnaby Rudge. Principally, to do justice to the most interesting and unusual character in the book…
My father was a mining engineer, and although our house looked out onto fields, not colliery wheels, I’ve enjoyed writing…