‘I’ve always had vivid dreams. Frequently, though, they don’t make for interesting writing. They remain locked in their own internal logic that doesn’t always translate. It’s like trying to relate a funny incident to someone who wasn’t there.’
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‘Words are a re-ordering of dream, an attempt to drag down the superconscious into the good old conscious, where theatres are and publishing happens.’
‘Does ‘inspiration’ actually quicken your breath? Perhaps the neurologists can tell us. ‘
Shelley Harris speaks with Bethan Roberts about prose perfectionism and embracing the ‘dirty first draft’, the fear of ‘using up’ all your talent, other disabling myths about writerhood and the writer’s ideal superpower.