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Kathy Henderson shares the pleasure of global lullaby collecting, and highlights the enduring importance of this powerful, universal blend of words and music.

Harriet Castor is often asked how she first got published — but why is this question so popular, and is it really the right one to ask?

‘Words are a re-ordering of dream, an attempt to drag down the superconscious into the good old conscious, where theatres are and publishing happens.’

Laura Barnett unpacks the myth that writing needs lots of time, and explores the focusing effect that external demands can have on the creative process.

Ros Schwartz explores recent initiatives, by the community of translators and by committed independent publishers, that have transformed the publication of literature in translation.

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