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‘I was a Betjemaniac; I wore a Larkin smile. My writing desk was Auden-esque, til Yeats became my style.’

Dipo Agboluaje speaks with Gabriel Gbadamosi about Britain and Nigeria, the big dreams of his characters and his knack of combining satire with character development, and the necessity for diverse playwrights to aim for the mainstream.

‘When I first heard a poet read, in a chemistry laboratory at Newcastle University, he was Ted Hughes; his gruff Yorkshire voice threw me onto a frosty moor.’