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Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.

‘Once you have a draft you have something to work with, and in many ways, that’s where the magic begins.’
‘I like to honour a new project by going on an adventure into it’s world. I like a sudden immersion, a baptism of fire.’