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Rukhsana Ahmad speaks with John Siddique about her peripatetic childhood in Pakistan, how her concern for other people motivates her to keep writing across years and genres, and how she’s avoided the constraints of the ‘post-colonial’.

‘Just when Freddie Mercury was taking off in our dichotomised university lives in India, came Keki Daruwalla… the Parsi policeman poet.’
‘Trying to please is like trying to paint your raft a colour that someone on shore you haven’t met yet might like.’
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