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Meaghan Delahunt speaks with Cherise Saywell about revolutionary beginnings, the physical nature of her writing and drafting process, being a 'citizen of nowhere' and the pressure on Australian writers to conform to Colonial perceptions of their country.

‘And do you think you don’t need to learn how to dissect a frog because you have discovered T. S. Eliot? Why do you think that? ‘
‘I was always envious of the flute section in the orchestra at school; a row of neat-looking, trendy girls who didn’t have to concern themselves with valve oil or spit keys.’