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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.

Susan Fletcher speaks with Caroline Sanderson about the importance of setting to her novels, how her love of the natural world and writing outside helps her bring poetry to her prose, and what really motivates her as a novelist.

Doug Johnstone speaks with Cherise Saywell about shifting from engineering to domestic noir via music journalism, exploring conflicted masculinity in his work, and being part of the Tartan Noir family of Scottish crime writers.

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