Katharine McMahon speaks with Julia Copus about her novel The Crimson Rooms, and explains how women began to join the legal profession after World War 1.
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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.
Diana Evans speaks with Frances Byrnes about how story and 'real life story' aren’t the same thing, what you really need to be writer, writing versus dancing and the need for more black writers.
Cynthia Rogerson speaks with James McConnachie about ensuring realism in her novels, disliking positive discrimination, and putting up with having her serious novels packaged in chick-lit covers.