Helena Attlee tells George Miller about her unconventional start as a garden writer and her long-standing love affair with Italy.
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Catherine O’Flynn dissects her enthusiasm for failed utopias, such as the ghost real estate ventures of the Spanish Riviera, and the influence of growing up surrounded by the 'bizarre and melancholy landscaped public spaces' of Birmingham.
Siân Rees takes us to Asunción in Paraguay, where magical realism makes sense and ghosts haunt the landscape and the imagination.
Kathleen Jones tells Frances Byrnes about the mythic relationships between people and their landscapes in her writing — be it a disturbing poem set in her now-abandoned childhood Cumbrian fell home, or fierce non-fiction about the Haida Gwaii islands.