Syd Moore, part 1
Syd Moore speaks with Doug Johnstone about the doubts and stereotypes she battled early in her writing career. Syd Moore…
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Syd Moore speaks with Doug Johnstone about the doubts and stereotypes she battled early in her writing career. Syd Moore…
The near-dream state is artistically useful. I believe that’s why many writers write at the beginning or the end of…
Art bereft of life must risk desiccation: on the other hand, where the sheer welter of life and its demands…
The chances are W. G. Grace himself was born with less fuss than my opening paragraph. By lunchtime I had…
By writing at least 250 words every single day, even when I’ve spent the day distracting myself, I become more…
Alison MacLeod charts the complicated friendship between Virginia Woolf and Katherine Mansfield. Alison MacLeod charts the complicated friendship between Virginia…
As he grabbed a handful of crisps he delivered possibly one of the most insightful and concise critiques of my…
In ‘How I Write’, RLF writers explain how they structure their writing days. In this installment of ‘How I Write’,…
I often invite creative writing students to write an observation during class exercises. Why? Hadn’t I, at the age of…
‘Any questions?’ I could hear the panic bubbling in their voice. There had to be questions —how else would they…
I was nervous about meeting this brilliant poet. But within half an hour I knew she was my kindred spirit.…
Crime writer and former journalist David Mark explores the ethics of writing fiction about true crimes. Crime writer and former…