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My Writing Life: SE Durrant

SE Durrant’s novels have been published in ten countries and translated into eight languages. Her books focus on real-life situations and tell compelling stories that foster empathy in children on the cusp of adolescence. Her latest book, Into Thin Air, tells the story of two children who, accompanied by a fascination with maths and space, solve the mystery of their missing dad. Into Thin Air is published by Nosy Crow on August 13th. SE Durrant lives in Brighton and is currently writing a book for adults.

1. What book should every writer read?

last year, and it’s been fantastic, introducing me to books I wouldn’t otherwise have read and reminding me that people understand the same story in very different ways. Our group conversations are full of surprising interpretations or connections, so it’s been truly enriching. My favourite books change from day to day, but right now I’d say they are Jamaica Inn by Daphne du Maurier, Revolutionary Road by Richard Yates and Foster by Claire Keegan.

2. What is your typical writing day like?

I usually write in the afternoon. I walk into town and find a quiet corner in a café or the library where I won’t be disturbed. I write longhand, though occasionally I’ll take my laptop, especially if I’m editing. I’m easily distracted at home, so working away helps me focus. Later, at home, I’ll type up my notes and edit them. I really enjoy throwing lots of words at the page, then cutting them down and honing them into shape. I often hear interesting conversations on buses and in cafes, and will take notes. I have a pen and paper next to my bed so I can jot down thoughts that come to me in the middle of the night.

3. Who has been an influential figure in your writing career?

I’d say my parents. I grew up in a home where books were really valued. Once a week, after school, my mum would take my three siblings and me to the Carnegie Library, where we would spend hours deciding which books to leave behind and which to borrow. It seemed magical that this old building run by ancient librarians contained more stories than I would ever have time to read. I saw the same excitement in my own children when they were young. I think the sense that other people’s stories and perspectives are really important has been the most powerful force in my life.

4. What is the one thing you wish someone had told you before you started your career as a professional writer?

Don’t be afraid of dialogue. Listen to how people really speak, eavesdrop and take notes. It will help you to create convincing dialogue. Also, don’t be easily discouraged.

5. What is the best advice you’ve ever received about your writing?

Edit and re-edit. Then edit again.

6. What has been the proudest moment of your career so far?

Small conversations I have with children, or a teacher telling me about a student who finished one of my books after losing interest in reading. Often, after a workshop, a child will hang back to show me what they’ve written or catch me in the corridor. I feel as though I almost see the penny drop as a child realises that writing isn’t just for other people and can be a tool to help them make sense of the world.

7. What are you reading right now?

At the moment, I’m reading Lemn Sissay’s biography, My Name Is Why. It’s brilliant and painful, but also a story of resilience.

8. Bookmarker or page-folder?

Bookmarker. I’ll use anything I can find – an old receipt, a ticket stub. Page folding feels like sacrilege to me, though around the house I’m guilty of leaving books open where I’ve paused reading, face down on the chair or table.

This article originally appeared on our Substack. 

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