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Can’t Write, Won’t Write

Writer’s block has become a cliché of Grub Street patois. At best it’s lazy terminology, at worst, a poor excuse…
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A Self Among the Crowd

Julia Copus examines why the poet Charlotte Mew is not better known. Charlotte Mew ought to be better known. Brittle,…
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Typeface

Martin Sketchley on his enduring love affair with typewriters. Martin Sketchley describes his lifelong love affair with typewriters, and why,…
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Writing Technique

RLF Fellows Adriana Hunter, Simon Robson, and Anna Wilson explore technical challenges they have overcome in their work, such as…
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Flow Versus Feed

Kona Macphee explains why she’s kicked the social media habit. Kona Macphee considers two contrasting states of mind—in one of…
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Ut Pictura Poesis

Cliff Forshaw, painter and poet, describes how honing his craft in one medium informs and influences the other. Cliff Forshaw,…
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Three Rams Passant Guardant

Nicola Baldwin reflects on her time as Royal Literary Fund Fellow at Greenwich University. Nicola Baldwin reflects on her time…
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Renga, Haibun And Nonets

Sarah Butler describes how she went from poetry sceptic to poetry enthusiast. Sarah Butler describes how she went from poetry…
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The Literary Midwife

The novelist Anna Haycraft (Alice Thomas Ellis) died of lung cancer in 2005. Deborah Bosley, who along with Beryl Bainbridge,…
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Type ‘R’ for Recovery

Writing for emotional survival is familiar; writing for physical survival less so. Yet the physical act of writing raised Sara…
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What Makes Superheroes So Special?

Mark Illis examines the enduring appeal of the superhero. Whether in graphic novel form, or onscreen, superheroes have become ubiquitous,…
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Writing versus Life, part 2

In the second part of our investigation into ‘Writing versus life’, RLF writers examine the pitfalls that face writers who…
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