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Privacy Policy The Royal Literary Fund respects your privacy. We are constantly looking for ways to improve the Site. We…
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Should I always use a computer?

“At least when I write by hand I don’t make any typing errors and therefore I don’t think about going…
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Elizabeth Cook in conversation

Elizabeth Cook speaks with Ann Morgan about the experience of seeing your words set in music, the physical craft of…
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The Heroine’s Journey

Nicola Baldwin considers how a woman’s compromises make the world a bigger place. Hollywood’s recipe of the hero’s journey is…
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Unseen But Not Unsung

Ron Butlin offers a backstage tour of the opera librettist’s strange and specialised world. Writers are not often told ‘the…
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Haunted by Gesualdo

Playwright Shaun McCarthy couldn’t get Don Carlo Gesualdo out of his head, so he put him on stage. The dark,…
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A Mirror To Life

Garry MacKenzie considers how complexity and ambiguity in literature can offer rewards to the discerning reader. Garry MacKenzie considers his…
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These Tangled Webs

Diane Samuels explores how the dream of artistic collaboration can also be a nightmare. From dressing up to role-play and…
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When The Words Won’t Come

Strategies to break the curse of writer’s block, when creative invention fades. Writer’s block can be a dark tunnel where…
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Estates

Estates Leaving your literary estate to the RLF is a unique and enduring way to ensure your words continue to…
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The Rabble Across The River

John Pilkington on writing a play for community theatre. John Pilkington describes how he came to write a play for…
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Writer Resources

Writer Resources If you are a writer looking for information and advice on how to navigate the literary sector, take…
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