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Writing Selves

Katherine Stansfield on writing in different modes and under different names. As a poet and novelist, Katherine Stansfield has become…
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Writing and People

Royal Literary Fund writers explore how their writing relates to the people around them, taking in everything from working with…
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Unseen But Not Unsung

Ron Butlin offers a backstage tour of the opera librettist’s strange and specialised world. Writers are not often told ‘the…
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Loving Our Slavery

For much of the 20th century, George Orwell’s boot stamping on a head was a better metaphor for political repression…
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The Historical Hunch

Jan Marsh looks into the murkier depths of historical non-fiction. Jan Marsh came to believe she had discovered the real-life…
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Cathay 100

Clare Pollard ponders what kind of China Ezra Pound could invent when he’d never been there and didn’t know the…
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Finding the Woman In ‘The Kiss’

Penny Black on writing about an extraordinary woman. Researching her play about Emile Flöge, friend and business partner of the…
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A Self Among the Crowd

Julia Copus examines why the poet Charlotte Mew is not better known. Charlotte Mew ought to be better known. Brittle,…
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Typeface

Martin Sketchley on his enduring love affair with typewriters. Martin Sketchley describes his lifelong love affair with typewriters, and why,…
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Venus Rising

James McConnachie, in search of a book idea, rekindles a lost passion. Eager for a book project to plunge into,…
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No Pastiche

Novelist James Wilson tries to conjure history by giving it voice. istorical novelists always risk accusations of pastiche, and never…
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Type ‘R’ for Recovery

Writing for emotional survival is familiar; writing for physical survival less so. Yet the physical act of writing raised Sara…
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