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The Historical Hunch

Jan Marsh looks into the murkier depths of historical non-fiction. Jan Marsh came to believe she had discovered the real-life…
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John Greening in conversation

John Greening speaks with Caroline Sanderson about discovering that poetry was his calling, and discusses his wide-ranging career in verse,…
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The World Beyond the Desk

Royal Literary Fund writers explore the link between creativity and the world beyond the desk, touching on the role of…
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A Forest Called Homeland

Kapka Kassabova witnesses magic between continents. Deep in the enchanted forest, tucked between Europe and Asia, people have gathered for…
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Writing and People

Royal Literary Fund writers explore how their writing relates to the people around them, taking in everything from working with…
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Flow Versus Feed

Kona Macphee explains why she’s kicked the social media habit. Kona Macphee considers two contrasting states of mind—in one of…
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At The Edge Of The World

At one of the very edges of human habitation, Kathleen Jones confronts the limits of what a writer can say.…
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Typeface

Martin Sketchley on his enduring love affair with typewriters. Martin Sketchley describes his lifelong love affair with typewriters, and why,…
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The Migratory Swallow

Gerry Cambridge on returning to his childhood home and finding inspiration in the landscape where his writing career began. Gerry…
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Writing And Madness

Horatio Clare reflects on the nature of the creative impulse. Are writers mad — or only very sane? Horatio Clare…
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MLA, APA, Harvard or MHRA?

Referencing styles There are four widely-used referencing styles or conventions. They are called the MLA (Modern Languages Association) system, the…
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Stories Of Migration

Nathalie Abi-Ezzi on how a textile art project in London’s East End pushed the boundaries of her work. Nathalie Abi-Ezzi…
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