‘Don’t wait for the right commission, or agent, or reply, or accent, or background. None of that will happen. Just write it anyway.’
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Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.
‘I write because I can make a world in my head come alive on the stage or screen.’
‘The focus you get from knowing young exactly what you want to do in life and being determined to do it is a huge psychological advantage. ‘