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Cherise Saywell speaks with Doug Johnstone about the correspondence course that showed her she had something to say, the striking sense of place in her writing, her love of clean, understated prose and the benefits of continuing to write short stories alongside her novels.

Cynan Jones speaks with James McConnachie about writing as a kind of imaginative remembering, the act of taking a novel from ninety to thirty thousand words in a single cut, and why it’s good to have more abandoned books in drawers than published ones on the shelf.

‘When I’m in editing mode I almost can’t read other writers’ work, because everything feels overwritten. I can’t stop my internal editor adding imaginary comments.’
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