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Judy Brown considers how two decades spent as a practising lawyer have impacted her experiences and processes of writing, and considers the parallels and contrasts between the law and poetry.

Martina Evans considers her unlikely literary beginnings as the youngest of ten in a County Cork family: ‘I was known as a dreamer, a fumbler, a fool; if I was so busy dreaming, how did I notice so many things? My family asked this question too, even then.’

Julia Copus explores the way that poetry, through its control of language, can influence the perception of time.

Basir Kazmi considers the ‘stage of the mind’, and whether the real measure of a playwright is the script as written word.