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Lucy Flannery confesses to an out-of-control obsession with stationery, explaining that every notebook and index card has a role in her creative process and reminding us that nothing is ever really thrown away when you’re a writer.

Alexandra Benedict considers the many different modes of sensory perception (including her own intriguing experience of synaesthesia), and explores how the senses can make their way into writing.

‘I don’t know what it is, but there just seems to be a divide between my creative thinking and all things technical. I believe it’s the way I’m wired up. ‘
‘I’m suspicious of writing straight to screen. The words seem flat, floating off into an insubstantial medium. ‘
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