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Cynthia Rogerson speaks with James McConnachie about ensuring realism in her novels, disliking positive discrimination, and putting up with having her serious novels packaged in chick-lit covers.

‘I wrote more to occupy my time and because writing was an activity suited to my hyperactive imagination and love of language, than to learn about Japan.’

Cherise Saywell describes how an unexpected writing career descended into paralysis, and how a short and anonymously-published piece helped her to reconnect with what she loves about writing.

Cynthia Rogerson explains how escaping to a weekly writing group turned her from a frustrated mother-of-many to a fledgling novelist, who discovered that as far as family went, ‘it was extraordinary how happy we all were just suiting ourselves’.