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‘Beyond the satisfaction of recording your life for posterity is the cathartic joy of pouring out your unhappiness. Nothing is so bad it cannot be written out of your system.’

Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.

Elanor Dymott speaks with Robin Blake about storytelling’s essential role in the British legal system, migrating from law journalism to fiction, and the childhood origins of an unsettling recurrent theme in her writing.