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Diana Evans speaks with Frances Byrnes about how story and 'real life story' aren’t the same thing, what you really need to be writer, writing versus dancing and the need for more black writers.

‘Our separation was a stringent period; parenting, ambient beats, no girls allowed except for my daughter.’
As a writer of novels set in the past, Katharine McMahon has come to realise that the preoccupations she addresses in her fiction are also those of the present day, and that the distinction between ‘historical’ and ‘contemporary’ fiction may have outlived its usefulness.