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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.

‘As a writer I play as seriously as a child, and live more than once. Writing also lets me play with ideas, intellectual puzzles; I push them around like jigsaw pieces.’
‘Many times I’ve said I’ve had I enough, I’m getting a real job; I can’t take the uncertainty anymore. Then I get an idea.’