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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.

‘As a writer I play as seriously as a child, and live more than once. Writing also lets me play with ideas, intellectual puzzles; I push them around like jigsaw pieces.’

Rick Stroud speaks with Robin Blake about how his film-making background influences his literary projects, his fascination with WW2 and the projects it has led him to, and his love of simple, clear writing.