David Spencer, who has written intense dramas in Halifax dialect even while living and working in Berlin, speaks with Geoff Hattersley about his playwriting career, life in a different language, and remaining true to the speech of his characters.
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Rukhsana Ahmad speaks with John Siddique about her peripatetic childhood in Pakistan, how her concern for other people motivates her to keep writing across years and genres, and how she’s avoided the constraints of the ‘post-colonial’.
Dipo Agboluaje explains how migrating from London to his family’s homeland of Nigeria as a young boy shaped his interest in playwriting, with inspiration along the way from diverse mythologies.
Penny Hancock wonders when it's legitimate, if your professional occupation leaves you free to manage your own time and involves an activity other people do simply for pleasure, to say that writing is your career?
Catherine Czerkawska speaks with Cherise Saywell about her fascination with Jean Armour, the greatly underestimated wife of Scots bard Robert Burns, and discusses writing history as fiction, and her own professional journey.