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Jan Marsh speaks with James McConnachie about her renowned biographies, the attraction of art history and the advantages of being ‘on the fringes of scholarship’, and always doing something new.


Katharine Quarmby spends a diary week researching and editing her first novel, a work of historical fiction inspired by a cruel act of punishment, and finds the process surprisingly familiar.


Kathleen Jones explains how writing a hyper-successful biography of a very famous writer nearly destroyed her career.

Mick Jackson recounts the strange time dilation that affects his novel writing, and how he learned to accept it as part of the creative process.