Mary Colson speaks with John Siddique about the value of children’s non-fiction and the unusual constraints involved in writing it commercially, her love of writing for screen and stage, and the right way to teach writing and nurture children’s voices.
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Jonathan Tulloch, in his final seasonal piece of the series, revisits a child’s Christmas in Cumbria, with a stray appearance of Saxon the family dog, a big black bible plucked from a Dylan Thomas sky, and an orange bulging in a rugby sock like an anaconda’s meal.
RLF Trustee Joanna Trollope speaks with Caroline Sanderson about how Freudian psychology changed fiction, updating Jane Austen, taking children seriously in her writing and being inspired by 'preoccupying situations'.
Dipo Agboluaje explains how migrating from London to his family’s homeland of Nigeria as a young boy shaped his interest in playwriting, with inspiration along the way from diverse mythologies.
Penny Hancock wonders when it's legitimate, if your professional occupation leaves you free to manage your own time and involves an activity other people do simply for pleasure, to say that writing is your career?