Jon Mayhew speaks with John Siddique about his typical working day, creating a plausible back-story for Jules Verne’s Captain Nemo while remaining true to Verne’s fictional universe, and making the leap from full-time employment to full-time writing.
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Jon Mayhew speaks with John Siddique about schoolkids’ ongoing love of ghost stories, his reasons for getting into teaching, the pros and cons of plot templates, and how his writing career started with a running accident.
Dipo Agboluaje explains how migrating from London to his family’s homeland of Nigeria as a young boy shaped his interest in playwriting, with inspiration along the way from diverse mythologies.
Penny Hancock wonders when it's legitimate, if your professional occupation leaves you free to manage your own time and involves an activity other people do simply for pleasure, to say that writing is your career?
Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.