Ian Thomson speaks with Gabriel Gbadamosi about the writer’s need for selfishness, the use of not being comfortable in one’s own skin, subverting Englishness with JG Ballard and writing about Jamaica, Primo Levi and Haiti.
You might also like:
Roopa Farooki speaks with Jane Draycott about writing of deception within families, the monster hiding in us all, embellishing the story of her father’s ‘astonishing and wayward life’ and the importance of diverse characters in writing for young people.
Rukhsana Ahmad speaks with John Siddique about her peripatetic childhood in Pakistan, how her concern for other people motivates her to keep writing across years and genres, and how she’s avoided the constraints of the ‘post-colonial’.
Elanor Dymott explains how an encounter with the tangible aspects of photography, during deeply immersive research for her second novel, almost stopped her being a novelist.
Alex Martin considers whether it's better to be a man of action, or to live a more contemplative life. Or can a writer do both?