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Tim Pears on the confusions of teaching Creative Writing

1. My first novel, In the Place of Fallen leaves, was published in 1993. I gave a nerve-wracking public reading…
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Student Resources

Student Resources Whether you are studying at uni, college or school, these guides and writing tools will give you practical…
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John Greening in conversation

John Greening speaks with Caroline Sanderson about discovering that poetry was his calling, and discusses his wide-ranging career in verse,…
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Our Team

Our Team Meet the people at the heart of our organisation who bring expertise and experience to the Royal Literary…
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The Joy Of Shelves

Teresa Heapy reflects on the meaningful inspiration to be found in her new book-filled writing space. After many years working…
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Shelley Silas

Shelley Silas writes for theatre, radio and television, and has also written a number of short stories. Her stage plays…
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Susan Fletcher on outsiders in fiction – literal and imagined

I’ve always known that I’ve preferred to be outside. To be an outsider – literally, and, specifically, amongst wild places…
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Loving Our Slavery

For much of the 20th century, George Orwell’s boot stamping on a head was a better metaphor for political repression…
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Writer’s Block

Susan Elliot Wright delves into the phenomenon of writer’s block and explains how she broke her own creative paralysis. Susan…
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The World Beyond the Desk

Royal Literary Fund writers explore the link between creativity and the world beyond the desk, touching on the role of…
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Maps To The Past

Andrew Martin favours the authenticity of old maps as a guide in writing historical fiction. When researching his historical novels,…
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Old Fish Dip And A Cannabis Grinder

Charlie Hill questions his long-held beliefs about what makes effective writing. Charlie Hill on how the closure of a train…
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