Catherine Czerkawska speaks with Cherise Saywell about her fascination with Jean Armour, the greatly underestimated wife of Scots bard Robert Burns, and discusses writing history as fiction, and her own professional journey.
Amanda Mitchison shares the ways she’s entwined with Scottish history, and how one of Scotland’s great historical outrages reached through time to shape the course of her novel.
Lucy Moore explores the challenges of choosing a subject, the dangers of identifying too closely, and how she looks for stories that both allure her and also urgently need telling.
Judy Brown considers how two decades spent as a practising lawyer have impacted her experiences and processes of writing, and considers the parallels and contrasts between the law and poetry.
Martina Evans considers her unlikely literary beginnings as the youngest of ten in a County Cork family: ‘I was known as a dreamer, a fumbler, a fool; if I was so busy dreaming, how did I notice so many things? My family asked this question too, even then.’
Ruth Thomas explains how the publishing industry went cool on her genre, and how a 60p discovery at a charity book fair helped her regain her mission and extend her range.
Mimi Thebo considers the myriad ways writers can fail, and describes how she came back from failure, and before that, from something even more serious.