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Stephen Sharkey asks why anybody would want to turn a perfectly good novel into a stage play, and explains the value in turning the solitary pursuit of reading into the shared experience of theatre.

Bill Kirton considers Gustav Flaubert’s masterpiece, suggesting that its irregularities might be subversion rather than error, and spends an evening with his eponymous heroine.

Shelley Harris speaks with Bethan Roberts about prose perfectionism and embracing the ‘dirty first draft’, the fear of ‘using up’ all your talent, other disabling myths about writerhood and the writer’s ideal superpower.

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